1---
2title: "New fonts & site changes"
3description: "New fonts, more interesting typography, "
4author: Amolith
5cover: /assets/pngs/editor.png
6date: 2020-07-19T01:43:11-04:00
7draft: false
8categories:
9 - Meta
10tags:
11 - Fonts
12 - Typography
13---
14
15I just got a couple of new (and rather expensive) fonts. So far, I'm
16incredibly happy with them and think it was money well-spent for a few
17reasons. Created by [Matthew
18Butterick,](https://en.wikipedia.org/wiki/Matthew_Butterick)
19[Valkyrie](https://mbtype.com/fonts/valkyrie/) and
20[Concourse](https://mbtype.com/fonts/concourse/) are simply beautiful. I
21don't know which I like more but they both have their places on this
22website and will find their way onto others in the future. Because
23Concourse is a [sans-serif,](https://en.wikipedia.org/wiki/Sans-serif)
24it will be the default used all across Secluded.Site. Valkyrie is a
25[serif font](https://en.wikipedia.org/wiki/Serif) and, though the type
26seems to be losing its place on the web, I think it adds a lot when
27reading content that's focused on a narrative rather than simply being
28informative. Because of that, it will be used for my posts about [pipe
29smoking](/categories/pipe-smoking/) and [Dungeons &
30Dragons.](/categories/dungeons-dragons/) I might come up with other
31categories where Valkyrie fits as well but it will likely remain limited
32to those two.
33
34In addition to simply changing the fonts, I've also modified some styles
35on the site. Headers (such as the title of this post) are now in proper
36small caps[^1] and I did some work to improve font size relative to the
37content width. Previously, the text was smaller than I would have liked
38which meant longer lines; there are some studies[^2] indicating that
39lines with a lower character count, while decreasing reading speed,[^3]
40are generally more comfortable and hold the reader's attention more
41effectively. The width hasn't changed but the size has increased and
42thus decreased the number of characters per line.
43
44One of the reasons I decided to buy the fonts was simply that I love the
45way they look and they have a lot of
46[features](https://mbtype.com/fonts/concourse/features.html) I wanted.
47In addition to that, however, I also wanted to support Matthew. His
48book, *[Practical Typography](https://practicaltypography.com/)* is an
49amazing resource for anyone that does anything with text. He has put a
50massive amount of work into it and simply [asks readers to
51pay.](https://practicaltypography.com/why-you-should-pay.html) There is
52no pay*wall* and no ads either; it's completely supported by readers.
53There are a few [ways to
54contribute](https://practicaltypography.com/how-to-pay-for-this-book.html)
55and one of them is buying his fonts. Interestingly enough, if you read
56his [first,](https://practicaltypography.com/economics-year-one.html)
57[second,](https://practicaltypography.com/effluents-influence-affluence.html)
58and [third](https://practicaltypography.com/to-pay-or-not-to-pay.html)
59year summaries, more people bought his fonts for a higher price than
60simply paid him directly:
61
62> What’s most interesting to me, however, is that so many more readers
63> were willing to buy a font license (at $59–299) than to make a direct
64> payment (at $5–10). Don’t get me wrong—I’m utterly grateful. But it’s
65> counterintuitive: I never expected that the cheaper option would be so
66> much less popular. Economists, I invite your explanations.
67>
68> — *[The Economics of a Web-based Book: Year
69> One](https://practicaltypography.com/economics-year-one.html)*
70
71I won't speculate as to why but it is thought-provoking. Regardless, his
72approach is very similar to that of any developer who creates open
73source software. They pour their time and energy into projects they
74might get no compensation for and rely on the community to fund their
75efforts. I have a *great* deal of respect for these people and try to
76support them whenever I'm able. $200 is a small price for two incredible
77fonts in addition to *Practical Typography*!
78
79[^1]: Small caps are a font style where the letters that would otherwise
80 be lower case are a shorter version of the upper case form. Many
81 people simulate small caps by reducing the font size of regular
82 capital letters to that of lower case characters but the results are
83 too tall and their vertical lines too thin; they've only been scaled
84 down. *Proper* small caps are an additional set of letters added to
85 a font file as [OpenType
86 features.](https://practicaltypography.com/opentype-features.html)
87 For a comparison, see the related page on *[Practical
88 Typography.](https://practicaltypography.com/small-caps.html)*
89[^2]: I took mental note when reading an article about it but have since
90 forgotten what it was and can't find it again. There are, however,
91 various other sources, such as *[The Elements of Typographic Style
92 Applied to the Web](http://webtypography.net/2.1.2)* and
93 *[Readability: the Optimal Line
94 Length.](https://baymard.com/blog/line-length-readability)*
95[^3]: A [rather short
96 study](https://web.archive.org/web/20170918212943/http://psychology.wichita.edu/surl/usabilitynews/72/LineLength.asp)
97 from Wichita State University found that increased line length
98 resulted in greater reading efficiency. However, there were no
99 significant effects on comprehension and the preference for longer
100 or shorter lines was fairly evenly distributed.